A shocking tale of witchcraft, superstition, religious fanaticism, and illicit intimate affairs comes to life at the Deutsche Oper Berlin but with a minimalistic twist courtesy of Christof Loy. Please enjoy my review and let me know your opinions.
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I take a look at a Hans Neuenfels-directed Ariadne auf Naxos. Enjoy the review and let me know your opinions as well.
I am back in the reviewing game with Jennifer O’Loughlin striking up the band as Anna Bolena. How did she and her co-stars fare in their roles? Find out in my review.
One month ago, Deutsche Oper Berlin exclaimed hail to the queen, when Liv Redpath made her role debut as Marguerite de Valois aka La Reine Margot. Enjoy my review and let me know your opinions as well.
After a two-month hiatus, I am back with a review of a Meyerbeer opera starring a young, enamored peasant girl from bucolic Breton whose head is in the clouds. Enjoy my review and let me know your opinions as well.
My final night here in Tallinn and my final Red Ribbon Reviewers’ contribution goes out with a bang, as Kristel Pärtna, who I saw two years ago as the poignant Pamina, takes on the iconically dramatic role of Violetta Valery. Enjoy my review and let me know your opinions as well.
Boasting a huge, wide-ranging repertoire from lyric to dramatic soprano roles, Heli Veskus heralds this cast with courage and steeliness. Enjoy my review and let me know your opinions as well.
My stay in Estonia kicks off with the haunting tale of an anguished man who wants redemption in the form of a merciful woman. Enjoy my review and let me know your opinions as well.
I have seen Vera-Lotte Böcker as the lavish Eudoxie and the sweetly poignant Pamina. How did she fare as Verdi’s most iconic operatic courtesan? Find out in my review, enjoy, and let me your opinions as well.
Natalya Pavlova rose to the challenge of taking on one of her signature roles at the Komische Oper Berlin. Enjoy the review and let me know your opinions as well.