Señora Ana María Martínez. A soprano whose career I have been following for fifteen years and whose repertoire has parallels with Sena Jurinac, Victoria de los Angeles, and Montserrat Caballé graces the stage in one of her signature roles. Enjoy the review and let me know your opinions as well.
Opéra de Paris
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Taking up Violetta’s finely-laced mantle was a young, lithe, sleek soprano who has gained some fame around Europe, Zuzana Marková. Enjoy the review and let me know your opinions as well.
It was my first opera night at Paris’s Opéra Bastille and what better way to kick this off than with Bellini’s final opera directed by someone who is very famous for dark, gothic productions. Enjoy the review and let me know your opinions as well.