Freddie de Tommaso, a rock-steady young tenor with so much to give to the opera world, tackles the role of the impassioned painter Mario Cavaradossi. Enjoy my review and let me know your opinions as well.
Jörg Schörner
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Tall, charismatic, and handsome in stage presence but decent at best in voice, how does Erwin Schrott fare in an iconic Puccini villain role that he has been singing for many years? Please find out in my review and let me know your opinions as well.
One month ago, Deutsche Oper Berlin exclaimed hail to the queen, when Liv Redpath made her role debut as Marguerite de Valois aka La Reine Margot. Enjoy my review and let me know your opinions as well.
Boasting a versatile repertoire ranging from the comical roles of Papageno and Guglielmo to the more dramatic roles of Telramund and Beckmesser, let us now venture to see how Martin Gantner fared as Kurwenal. Enjoy my review and let me know your opinions as well.
Ekaterina Siurina, a coloratura soprano of such pristinely precise vocal beauty and indubitably immense dedication to her craft, tackles the role of the iconically poignant seamstress with a malady Mimí. Enjoy my review and let me know your opinions as well.
Coming into his own in the leading tenor roles is none other than Attilio Glaser, whose career has been opening new doors especially with this iconic poet in love. Enjoy my review and let me know your opinions as well.
Two Hispanic operatic aces of the twenty-first century, one who is a young lyric coloratura soprano from Madrid, Spain and is on the cusp of international acclaim and the other who is a light lyric tenor from Hermosillo, Mexico and has been a well-established Bel Canto star for decades, tackle the iconic Scottish star-crossed lovers.
A charming young lyric coloratura soprano rises to the challenge to bring one of the most famous Donizetti Bel Canto heroines of all time to the stage of the Deutsche Oper Berlin. Enjoy the review and let me know your opinions as well.
There are no mountains, mills, woods, and bucolicism in this production of Bellini’s Sonnambula, just a closed, claustrophobic, rundown motel full of rather interesting people. Enjoy the review and let me know your opinions as well.
It’s Tales of Hoffmann meets Edgar Allan Poe starring a strapping Swedish spinto tenor, a charismatic American lyric mezzo-soprano, a versatile, wide-ranging Romanian lyric soprano who can sing almost anything from coloratura soprano to lyric soprano to spinto soprano, a virile Italian bass-baritone, and a charming German light tenor. Enjoy the review and let me know your opinions as well.