Magnificent musicianship, grandiose gallantry, and pristine peerlessness are the hallmarks that make Thomas Lehman flourish as a superb baritone embodying the earnestly noble Wolfram von Eschenbach. Please enjoy my review and let me know your opinions as well.
Jörg Schörner
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Brilliant top notes and a bright future are what constitute Aigul Khismatullina’s journey in essaying the title role of Donizetti’s Lucia di Lammermoor. Please enjoy my review and let me know your opinions as well.
Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.
Conquering the Heldentenor repertoire focusing on Wagner in international opera houses around America and Europe is Clay Hilley, who tackles this wayward knight and court singer. Please enjoy my review and let me know your opinions as well.
A charming young light lyric soprano, who is also capable of doing coloratura soprano roles, made her mark tonight as the pristinely tender Princess Pamina. Please enjoy my review and let me know your opinions as well.
Graduating from the flirtatiously flitting Fiakermilli to the imperious Queen of the Night was Hye-Young Moon, a young lyric coloratura soprano who embraced the challenge of tackling this demanding yet iconic Mozart villainess. Enjoy my review and let me know your opinions as well.
Freddie de Tommaso, a rock-steady young tenor with so much to give to the opera world, tackles the role of the impassioned painter Mario Cavaradossi. Enjoy my review and let me know your opinions as well.
Tall, charismatic, and handsome in stage presence but decent at best in voice, how does Erwin Schrott fare in an iconic Puccini villain role that he has been singing for many years? Please find out in my review and let me know your opinions as well.
One month ago, Deutsche Oper Berlin exclaimed hail to the queen, when Liv Redpath made her role debut as Marguerite de Valois aka La Reine Margot. Enjoy my review and let me know your opinions as well.