Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
Wolfgang Amadeus Mozart
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A charming young light lyric soprano, who is also capable of doing coloratura soprano roles, made her mark tonight as the pristinely tender Princess Pamina. Please enjoy my review and let me know your opinions as well.
From his beginnings as a light lyric tenor to his current tenures in challenging leading tenor roles, Saimir Pirgu tackles Idomeneo the Cretan King torn between his regal duty and filial bond with his son Idamante. Please enjoy my review and let me know your opinions as well.
A host of young singers make their mark at the Hochschule für Musik Hanns Eisler Berlin in the third Mozart opera that had Lorenzo da Ponte collaborating as his librettist. Please enjoy my review and let me know your opinions as well.
Graduating from the flirtatiously flitting Fiakermilli to the imperious Queen of the Night was Hye-Young Moon, a young lyric coloratura soprano who embraced the challenge of tackling this demanding yet iconic Mozart villainess. Enjoy my review and let me know your opinions as well.
David McVicar’s production of Mozart’s Idomeneo may eclectically combine Feudal-Era Japanese, Middle Eastern, European, and Greek aesthetics, but how do the singers fare in their roles in this production? At least it was nice that I have achieved my dream of seeing Olga Peretyatko and Anna Prohaska together on stage as the two rivaling princesses Elettra and Ilia respectively. Enjoy my review and let me know your opinions as well.
Rainelle Krause, a lyric coloratura soprano renowned for her fearlessness as an aerial acrobat, heralds the stage as one of her calling-card roles, The Queen of the Night, alongside the astounding light lyric soprano Victoria Randem as Pamina and the sweet soprano light lyric coloratura Regina Koncz as Papagena. Enjoy my review and let me know your opinions as well.
Ah, Belmonte from Mozart’s Die Entführung aus dem Serail or The Abduction of the Seraglio. As a lyric tenor, I can decree that he is one of my most favorite Mozart characters for the tenor voice, and here I am singing his entrance aria. It was also a really challenging aria to get through, but I definitely enjoyed the ride. So, I hope you all enjoy my rendition.
Graduating from the pert, perky Papagena to the poignant, pure Pamina was the one and only Alma Sadé. Enjoy my review and let me know your opinions as well.
It’s The Magic Flute complete with marionettes, flying around the stage, and loads of color. Enjoy my review and let me know your opinions as well.