Ben Stevenson’s and Tom Boyd’s choreographic vision of this holiday classic of a ballet comes to vivid, colorful life. Enjoy my review and let me know your opinions as well.
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Boasting a huge, wide-ranging repertoire from lyric to dramatic soprano roles, Heli Veskus heralds this cast with courage and steeliness. Enjoy my review and let me know your opinions as well.
My stay in Estonia kicks off with the haunting tale of an anguished man who wants redemption in the form of a merciful woman. Enjoy my review and let me know your opinions as well.
I have seen Vera-Lotte Böcker as the lavish Eudoxie and the sweetly poignant Pamina. How did she fare as Verdi’s most iconic operatic courtesan? Find out in my review, enjoy, and let me your opinions as well.
Natalya Pavlova rose to the challenge of taking on one of her signature roles at the Komische Oper Berlin. Enjoy the review and let me know your opinions as well.
Conquering the stage and the screen for many years as an actress and stage director , let us see how Katharina Thalbach fared as an opera director with this particular production of Barber of Seville. Enjoy my review and let me know your opinions as well.
Graduating from the pert, perky Papagena to the poignant, pure Pamina was the one and only Alma Sadé. Enjoy my review and let me know your opinions as well.
Boasting a versatile repertoire ranging from the comical roles of Papageno and Guglielmo to the more dramatic roles of Telramund and Beckmesser, let us now venture to see how Martin Gantner fared as Kurwenal. Enjoy my review and let me know your opinions as well.
With an ever-strengthening vocal presence, heaps of discipline, and a phenomenal technique by his side, how did Alfred Kim fare as Calaf, a role he has been specializing for many years? Find out in my review.
It’s The Magic Flute complete with marionettes, flying around the stage, and loads of color. Enjoy my review and let me know your opinions as well.