Teresa Romano came to the rescue in a role she has sung for many years, from her initial tenure as a spinto/dramatic soprano to her current engagements as a mezzo-soprano. Please enjoy my review and let me know your opinions as well.
Victoria Randem
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Clémentine Margaine, with her increasing forays into the dramatic mezzo-soprano repertoire, rises up to the challenge to tackle one of Verdi’s most iconic mezzo-soprano princesses. Enjoy my review and let me know your opinions as well.
Dramatic coloratura soprano Marina Rebeka tackles her role debut head-on as Aida, accompanied by a cavalcade of fellow star singers, in Calixto Bieito’s garish and messy production. Please enjoy my review and let me know your opinions as well.
Charisma, charm, elegance, and vivacity are the lexemes that thoroughly define Victoria Randem as a light lyric soprano who gave her first-ever Lied recital at the Staatsoper Unter den Linden. Enjoy my review and let me know your opinions as well.
Rainelle Krause, a lyric coloratura soprano renowned for her fearlessness as an aerial acrobat, heralds the stage as one of her calling-card roles, The Queen of the Night, alongside the astounding light lyric soprano Victoria Randem as Pamina and the sweet soprano light lyric coloratura Regina Koncz as Papagena. Enjoy my review and let me know your opinions as well.
It’s The Magic Flute complete with marionettes, flying around the stage, and loads of color. Enjoy my review and let me know your opinions as well.
Known to the world for her charmingly waif-like figure and sweet countenance, Miss Aida Garifullina takes on one of Verdi’s purest heroines, which has become one of her all-time signature roles. Enjoy the review and let me know your opinions as well.