Intimately romantic twists and turns and various operatic references pepper Tobias Kratzer’s production of Richard Strauss’s Intermezzo with fascinating character dynamics. Please enjoy my review and let me know your opinions.
Tobias Kratzer
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Daniel O’Hearn, a consistently rising full lyric tenor with a huge repertoire, abundant potential, and a brilliant future, tackles the role of the impassioned officer Matteo. Please enjoy my review and let me know your opinions.
The slice-of-life character constellations remain strong with Tobias Kratzer’s production of Strauss’s Die Frau ohne Schatten, despite being void of its legendary fairy-tale roots. Please enjoy my review and let me know your opinions.