There is no better opera to honor my mother’s birthday than Beethoven’s only opera about a woman rescuing her husband from being a political prisoner, with a production that transports the action to modern times. Please enjoy my review and let me know your opinions.
Tobias Kehrer
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Magnificent musicianship, grandiose gallantry, and pristine peerlessness are the hallmarks that make Thomas Lehman flourish as a superb baritone embodying the earnestly noble Wolfram von Eschenbach. Please enjoy my review and let me know your opinions as well.
It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.
Conquering the Heldentenor repertoire focusing on Wagner in international opera houses around America and Europe is Clay Hilley, who tackles this wayward knight and court singer. Please enjoy my review and let me know your opinions as well.
Jordan Shanahan continues to conquer the Heldenbariton repertoire with his rendition of The Dutchman in Christian Spuck’s gothic production of Wagner’s Der Fliegende Holländer. Please enjoy my review and let me know your opinions as well.
A charming young light lyric soprano, who is also capable of doing coloratura soprano roles, made her mark tonight as the pristinely tender Princess Pamina. Please enjoy my review and let me know your opinions as well.
Graduating from the flirtatiously flitting Fiakermilli to the imperious Queen of the Night was Hye-Young Moon, a young lyric coloratura soprano who embraced the challenge of tackling this demanding yet iconic Mozart villainess. Enjoy my review and let me know your opinions as well.
Going from strength to strength in his ever-flourishing career and possessing a brilliant future in more leading man roles is Byung Gil Kim who tackled the role of the imperious high priest Ramfis. Please enjoy my review and let me know your opinions as well.
Coming into his own in the leading tenor roles is none other than Attilio Glaser, whose career has been opening new doors especially with this iconic poet in love. Enjoy my review and let me know your opinions as well.
A brilliant full lyric tenor with a growing repertoire rises to the challenge to take on the delightfully despicable Duke of Mantua. Enjoy the review and let me know your opinions as well.