Intimately romantic twists and turns and various operatic references pepper Tobias Kratzer’s production of Richard Strauss’s Intermezzo with fascinating character dynamics. Please enjoy my review and let me know your opinions.
Thomas Blondelle
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Ascending from her beginnings in more florid roles to tackling the steelier ones, Olesya Golovneva tackles the irresistible yet unhinged Princess Salome of Judea. Please enjoy my review and let me know your opinions.
How did Gabriela Scherer tackle the title role of Strauss’s Arabella, as she ended up singing the subsequent performances after the premiere? Find out in my review and please let me know your opinions as well.
A bizarrely confusing Regietheater production of Strauss’s Arabella made its premiere at the Deutsche Oper Berlin three days ago with a cast of both veterans and fresh-faced singers. Enjoy my review and please let me know your opinions as well.
Jordan Shanahan, a dramatic baritone whose career has seen him rise from handsomely lyrical roles to more viscerally challenging roles, takes on Jochanaan the mysterious yet raving prophet. Enjoy my review and let me know your opinions as well.
Claus Guth. Whether you like him or hate him, you can’t deny that this Salome production did have some moments of brilliance. Enjoy the review and let me know your opinions as well.
Hold on to your hats, folks, this is going to be a stormy yet mysterious ride.