Oscar Wilde’s short story turned opera by Alexander von Zemlinsky transports the tale of a haplessly enamored dwarf and an impetuously spoiled princess to the late 2010s, as highlighted by Tobias Kratzer’s production. Please enjoy my review and let me know your opinions.
Stephanie Lloyd
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A rising full lyric soprano tackles one of Wagner’s virginally innocent heroines. Please enjoy my review and let me know your opinions as well.