Overlooking my conflicting sentiments about Rolando Villazón’s overall vocal form as Idomeneo, his unique brand of charisma remains interesting. Please enjoy my review and let me know your opinions.
Staatsoper Unter den Linden
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Evelyn Herlitzius leaps from Elektra’s bloodthirstily feral vengeance and anguished trauma and steps into Klytämnestra’s elaborate robe decked in guilt-ridden angst and soul-shattering nightmares. Please enjoy my review and let me know your opinions.
An eclectic cocktail of slapstick humor and romantic passions percolate Jürgen Flimm’s production of Mozart’s Le Nozze di Figaro at the Staatsoper Unter den Linden with some ecstasy and fabulous artistry. Please enjoy my review and let me know your opinions.
Anna Samuil joins violinist Tatiana Samouil and pianist Matthias Samuil to dedicate this Liederabend to honor María Malibrán’s 215th birthday. Please enjoy my review and let me know your opinions as well.
Sally Matthews, a lyric soprano renowned for both her lyric and coloratura work predominantly in Mozart, tackles Beethoven’s iconic heroine who is a paradigm for unconditionally conjugal love, justice for the innocent, and liberty from oppression. Please enjoy my review and let me know your opinions as well.
Eve-Maud Hubeaux tackled the elegantly voluptuous yet emotionally temperamental Amneris from Verdi’s Aida at the Staatsoper Unter den Linden. Please enjoy my review and let me know your opinions as well.
From his beginnings as a light lyric tenor to his current tenures in challenging leading tenor roles, Saimir Pirgu tackles Idomeneo the Cretan King torn between his regal duty and filial bond with his son Idamante. Please enjoy my review and let me know your opinions as well.
Teresa Romano came to the rescue in a role she has sung for many years, from her initial tenure as a spinto/dramatic soprano to her current engagements as a mezzo-soprano. Please enjoy my review and let me know your opinions as well.
Clémentine Margaine, with her increasing forays into the dramatic mezzo-soprano repertoire, rises up to the challenge to tackle one of Verdi’s most iconic mezzo-soprano princesses. Enjoy my review and let me know your opinions as well.
Dramatic coloratura soprano Marina Rebeka tackles her role debut head-on as Aida, accompanied by a cavalcade of fellow star singers, in Calixto Bieito’s garish and messy production. Please enjoy my review and let me know your opinions as well.