Sally Matthews, a lyric soprano renowned for both her lyric and coloratura work predominantly in Mozart, tackles Beethoven’s iconic heroine who is a paradigm for unconditionally conjugal love, justice for the innocent, and liberty from oppression. Please enjoy my review and let me know your opinions as well.
Sally Matthews
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Thomas Adés’s The Exterminating Angel, which was based on Luis Buñuel’s surrealist film of the same name, takes on the United States of America through New York’s Metropolitan Opera House, after its debut performances in Salzburg and London, headed by a cavalcade of veritable vocal superstars! Enjoy the review and let me know your opinions as well.