Outstanding excellence, pristine formidability, and vocally dynamic charisma thy name is Andrei Danilov. He has put his stamp on this role as one of today’s grandest exponents of true Bel Canto singing. Please enjoy my review and let me know your opinions.
Roman Burdenko
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Kangyoon Shine Lee mounts his crown full of golden clarion tones, peerless musicianship, and noble Bel Canto singing as Malcolm’s supporting yet impactfully vital role. Please enjoy my review and let me know your opinions.
Verdi’s Macbeth at the Deutsche Oper Berlin has struck again. This time, it is with a new modern production by Marie-Ève Signeyrole. Please enjoy my review and let me know your opinions.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
How did one of Deutsche Oper Berlin’s veteran basses fare as the stern yet kindly Padre Guardiano? Please find out in my review and let me know your opinions as well.
To say that this production of Verdi’s La Forza del Destino at the Deutsche Oper Berlin left so much to be desired is a mere understatement, but how did all the singers persevere in this extremely messy production? Please find out in my review and let me know your opinions as well.
Natalya Romaniw, a lyric soprano possessing a diverse repertoire, tackles the fiery Italian diva Floria Tosca joined by lyric tenor Jonathan Tetelman as the impassioned painter Mario Cavaradossi and baritone Roman Burdenko as the viciously licentious Baron Vitellio Scarpia. Enjoy my review, and let me know your thoughts as well.