Egils Silins, a veteran of both the Heldenbariton and basso cantante repertoires, tackles one of the signature roles that he has been singing for several decades, The Flying Dutchman. Please enjoy my review and let me know your opinions as well.
Robert Watson
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Jordan Shanahan continues to conquer the Heldenbariton repertoire with his rendition of The Dutchman in Christian Spuck’s gothic production of Wagner’s Der Fliegende Holländer. Please enjoy my review and let me know your opinions as well.
How did Gabriela Scherer tackle the title role of Strauss’s Arabella, as she ended up singing the subsequent performances after the premiere? Find out in my review and please let me know your opinions as well.
A bizarrely confusing Regietheater production of Strauss’s Arabella made its premiere at the Deutsche Oper Berlin three days ago with a cast of both veterans and fresh-faced singers. Enjoy my review and please let me know your opinions as well.
After so many years, I managed to accomplish one of my lifelong dreams of catching the magnificent and great Sir Bryn Terfel as this monumentally iconic anti-hero tyrant of a tsar. Enjoy the review and let me know your opinions as well.
After countless engagements not only at the Deutsche Oper Berlin but also many other opera houses worldwide, the amazing and noble Noel Bouley rises up to the challenge to sing the famous Ethiopian warrior king, Amonasro. Joining him was the fine Spanish dramatic tenor with an incisive voice, Señor Jorge de Leon, who was the handsome, dashing, and strong Radames, and even Robert Watson in the small role of the Messenger, who is celebrating his very special day and this review is also dedicated to him. Enjoy the review and let me know your opinions as well.
Two gentlemen making their Deutsche Oper Berlin debuts, two artists making their role debuts, one thrilling opera guaranteed to sweep you off your feet, what more can anyone ask for? Enjoy the review and let me know your opinions as well.