Teresa Romano came to the rescue in a role she has sung for many years, from her initial tenure as a spinto/dramatic soprano to her current engagements as a mezzo-soprano. Please enjoy my review and let me know your opinions as well.
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He built himself up from his lyrical beginnings and is now treading toward the steelier spinto/dramatic tenor repertory evidenced by one of his tenures as Don José. This review is also dedicated to my mother who was celebrating her birthday. Enjoy my review and let me know your opinions as well.
Clémentine Margaine, with her increasing forays into the dramatic mezzo-soprano repertoire, rises up to the challenge to tackle one of Verdi’s most iconic mezzo-soprano princesses. Enjoy my review and let me know your opinions as well.
Aigul Akhmetshina, a promising young mezzo-soprano with an exciting future ahead of her, tackles one of her signature roles at the Deutsche Oper Berlin. Please enjoy my review and let me know your opinions as well.
Waltraud Meier’s second to the last hurrah as Klytämnestra, the beautiful yet guilt-ridden Queen of Mycenae, was in full swing tonight. Enjoy my review, and please enjoy Frau Meier’s final hurrah to the operatic stage on October 20.
I’ve returned to the galaxy far, far away as I review “Star Wars: The Force Unleashed”! Once again, I’m joined by @ZeroKnight95. Is the force strong enough for us to take in this game? Make sure you watch the review and find out! Special thanks to @BlueBlurHedgehog20 for designing the title card and to @331Erock for this amazing rock cover of the “Star Wars” end credits theme.
It was one thrilling surge of eclectic music selections featuring some classics from Debussy and Penderecki to some premieres all centering on the ocean’s majesty and life’s uncertain fleetingness. Enjoy my review and let me know your opinions as well.
Graduating from the flirtatiously flitting Fiakermilli to the imperious Queen of the Night was Hye-Young Moon, a young lyric coloratura soprano who embraced the challenge of tackling this demanding yet iconic Mozart villainess. Enjoy my review and let me know your opinions as well.
Damiano Michieletto’s production of Jenufa transports the action from a bucolic Moravian village to a cold, desolate, icy locale with minimal props. At least Evelyn Herlitzius and Asmik Grigorian carry the evening. Enjoy my review and let me know your opinions as well.
Freddie de Tommaso, a rock-steady young tenor with so much to give to the opera world, tackles the role of the impassioned painter Mario Cavaradossi. Enjoy my review and let me know your opinions as well.