What better way to wrap up Christmas 2023 than with my album review of the charming Michael Bublé’s deluxe edition holiday album? This is true when he is buttressed by equally exceptional performers. Please enjoy my review and let me know your opinions.
Review
John Rutter’s compositions of his Christmas Carols and his arrangements of rare and popular ones are buttressed by pristine vocal and orchestral performances. Please enjoy and let me know your opinions.
It is a mess of a three-parter with its signature moments of high-octane action but also poor decision-making for certain core characters. Please enjoy my assessment of Power Rangers Zeo’s There’s No Business Like Snow Business and let me know your opinions.
A Liederabend consisting of works by Franz Schubert and Louis Spohr was in full swing when three valiantly fine singers summoned their musical prowess to tackle their Lieder with open arms. Please enjoy my review and let me know your opinions as well.
Christian Simmons integrates his gentlemanly charisma and musically versatile repertoire to make this Advent concert worth listening to. Please enjoy my review and let me know your opinions as well.
Brilliant top notes and a bright future are what constitute Aigul Khismatullina’s journey in essaying the title role of Donizetti’s Lucia di Lammermoor. Please enjoy my review and let me know your opinions as well.
Happy First Advent, everybody. Antoni here with some ecstatic news. From two days ago until yesterday, my review of Mozart’s Die Zauberflöte at the Deutsche Oper Berlin starring Diana Schnürpel as the Queen of the Night grew in recognition on LinkedIn. Thanks to my review of her performance as the Queen of the Night, Ms. Schnürpel herself thanked me so graciously, and I was delighted and grateful to have heard from her. Moreover, people who have also been acquainted with Ms. Schnürpel’s work as a musician and a singer have also reacted positively to my review of her performance. All of what I assessed from Ms. Schnürpel’s Queen of the Night in my review was truthful with no pretense whatsoever. Therefore, the feedback I received from my assessment of Ms. Schnürpel’s vocal and theatrical performance as the Queen of the Night was laudable and encouraging. I am grateful that my work as an online reviewer has been acknowledged, as it compels me to continue to produce more content for my channel. Here is my review of Diana Schnürpel’s performance as the Queen of the Night if you want to watch and listen to it. Have a lovely First Advent, everybody.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
Anna Samuil joins violinist Tatiana Samouil and pianist Matthias Samuil to dedicate this Liederabend to honor María Malibrán’s 215th birthday. Please enjoy my review and let me know your opinions as well.