Aida Pascu, a young and rising full lyric soprano, tackles the role of the iconically romantic seamstress Mimì with gorgeous elegance and great growth potential. Please enjoy my review and let me know your opinions.
Patrick Guetti
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Youthful dignity, cultivated technique, and elegant nobility are the hallmarks that have made Kangyoon Shine Lee radiate like the stars in the Milky Way as Prince Tamino. Please enjoy my review and let me know your opinions.
Nina Solodovnikova, a consistently rising lyric coloratura soprano, shines and makes a strong impression as the beautiful and fair Princess Pamina. Please enjoy my review and let me know your opinions.
A shocking tale of witchcraft, superstition, religious fanaticism, and illicit intimate affairs comes to life at the Deutsche Oper Berlin but with a minimalistic twist courtesy of Christof Loy. Please enjoy my review and let me know your opinions.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
Graduating from the flirtatiously flitting Fiakermilli to the imperious Queen of the Night was Hye-Young Moon, a young lyric coloratura soprano who embraced the challenge of tackling this demanding yet iconic Mozart villainess. Enjoy my review and let me know your opinions as well.
Two singers whose voices I have heard for the first time embodying the mythical ice princess and the intrepid warrior prince. Two singers who have made their role debuts as an old King of Tartar and a sweet slave girl. How well did they all hold up in the end? Find out more in this review.