The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
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Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
A rising full lyric soprano tackles one of Wagner’s virginally innocent heroines. Please enjoy my review and let me know your opinions as well.
It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.
Egils Silins, a veteran of both the Heldenbariton and basso cantante repertoires, tackles one of the signature roles that he has been singing for several decades, The Flying Dutchman. Please enjoy my review and let me know your opinions as well.
Conquering the Heldentenor repertoire focusing on Wagner in international opera houses around America and Europe is Clay Hilley, who tackles this wayward knight and court singer. Please enjoy my review and let me know your opinions as well.
Jordan Shanahan continues to conquer the Heldenbariton repertoire with his rendition of The Dutchman in Christian Spuck’s gothic production of Wagner’s Der Fliegende Holländer. Please enjoy my review and let me know your opinions as well.
A charming young light lyric soprano, who is also capable of doing coloratura soprano roles, made her mark tonight as the pristinely tender Princess Pamina. Please enjoy my review and let me know your opinions as well.
Sally Matthews, a lyric soprano renowned for both her lyric and coloratura work predominantly in Mozart, tackles Beethoven’s iconic heroine who is a paradigm for unconditionally conjugal love, justice for the innocent, and liberty from oppression. Please enjoy my review and let me know your opinions as well.
Eve-Maud Hubeaux tackled the elegantly voluptuous yet emotionally temperamental Amneris from Verdi’s Aida at the Staatsoper Unter den Linden. Please enjoy my review and let me know your opinions as well.