My Dresden opera journey goes out with a bang, at least for now, with the famous barber of Seville about to get married to his darling chambermaid bride-to-be in this anachronistically minimalistic production. Enjoy the review and let me know your opinions as well.
Opera
An international cavalcade of superstars have come together to star in this vivid and magnificently-detailed production of Mozart’s Die Entführung aus dem Serail. Enjoy my review and let me know your opinions as well.
I have come back to Dresden to catch a Rossini opera, which called for an army of soloists. The question remains, how well did this cast of singing actors fare in their respective roles? Stay tuned to my review to find out more.
What happens when you have Maestro Marc Minkowski conducting up a storm with Adam Smith as the main hero and Jessica Pratt as the four main heroines in Bordeaux’s gorgeous and awesome opera house? Sit back, relax, enjoy, and find out in my review.
Señora Ana María Martínez. A soprano whose career I have been following for fifteen years and whose repertoire has parallels with Sena Jurinac, Victoria de los Angeles, and Montserrat Caballé graces the stage in one of her signature roles. Enjoy the review and let me know your opinions as well.
Taking up Violetta’s finely-laced mantle was a young, lithe, sleek soprano who has gained some fame around Europe, Zuzana Marková. Enjoy the review and let me know your opinions as well.
It was my first opera night at Paris’s Opéra Bastille and what better way to kick this off than with Bellini’s final opera directed by someone who is very famous for dark, gothic productions. Enjoy the review and let me know your opinions as well.
After years of tackling the Mozartean repertoire, Christopher Maltman ascends to the challenge to tackle the tragic hunchback court jester while being joined by a cast of vibrant, young singers with loads of potential. Enjoy the review and let me know your opinions as well.
Florian Sempey rises to the challenge to take on the role of Hamlet the Prince of Denmark, whose quest to avenge his father’s murder unravels in this concert version of Ambroise Thomas’s opera of the same name. Enjoy the review and let me know your opinions as well.
Fresh from his role debut as the Venetian Moor in Toronto, Canada, Russell Thomas brought this iconic tragic hero to Berlin where he was joined by a cavalcade of superstars, including the pristine Guanqun Yu and the dynamic George Gagnidze. Enjoy the review and let me know your opinions as well.