Here is another opera review in honor of my mother’s birthday. This time, I review Marco Filippo Romano’s performance of an oafish yet iconic doctor trying to win over his young ward. Please enjoy my review and let me know your opinions.
Opera
There is no better opera to honor my mother’s birthday than Beethoven’s only opera about a woman rescuing her husband from being a political prisoner, with a production that transports the action to modern times. Please enjoy my review and let me know your opinions.
Nina Solodovnikova, a consistently rising lyric coloratura soprano, shines and makes a strong impression as the beautiful and fair Princess Pamina. Please enjoy my review and let me know your opinions.
A shocking tale of witchcraft, superstition, religious fanaticism, and illicit intimate affairs comes to life at the Deutsche Oper Berlin but with a minimalistic twist courtesy of Christof Loy. Please enjoy my review and let me know your opinions.
Magnificent musicianship, grandiose gallantry, and pristine peerlessness are the hallmarks that make Thomas Lehman flourish as a superb baritone embodying the earnestly noble Wolfram von Eschenbach. Please enjoy my review and let me know your opinions as well.
Adela Zaharia’s ever-flourishing technical beauty and grace were in full evidence as one of her signature roles Violetta Valery. Please enjoy my review and let me know your opinions.
I may be eight months late in proclaiming this. However, I thank Elena Tsallagova’s encouraging Facebook comment when I reviewed Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production of Richard Wagner’s Die Meistersinger von Nürnberg at the Deutsche Oper Berlin. She sang Eva Pogner. Although I had my initial doubts about how she was going to fare in stark comparison to a lot of my favorite Evas such as Elisabeth Rethberg, Tiana Lemnitz, and Margarete Teschemacher among the many spinto and full lyric sopranos of the past, Mrs. Tsallagova continued to demonstrate her pristine technique and unparalleled musical prowess to own Eva’s music. Therefore, she was one of the stars who shone so brilliantly that night. Comments of this ilk remind me why I love and continue to be passionate about producing online music and media reviews. It is never enough to sit back, relax, and enjoy any opera or musical work I watch. I always revel in engaging with the various presented works, analyzing said works, and constructing arguments based on thorough research, profound understanding, and unwavering passion for the performing arts. This is especially where acting and singing are concerned. Yes, some people find me “unfair” or “mean” when I make my reviews. Nonetheless, I do not care because the only attribute I highly regard is ensuring that any performer has an excellent pedigree to fulfill what their roles demand. I will constantly remain true to my assessments and never let them be silenced. Once again, a heartfelt thank you to Elena Tsallagova for her empowering comment. I will continue to integrate deep analysis, high passion, and clear criticism in my content for all my viewers. This is especially true for all the operas, concerts, albums, musicals, operettas, and ballets I review. I will also persevere even when certain “triggered commenters” whine about me being too mean. Quality technique and precise clarity will always remain the top priorities of every performer I assess. Moreover, I am sufficiently brave to implement my education to keep my mind open and ensure that my arguments align well with what must be conveyed. Thus, I will continue to exercise critical analysis as an online music and media reviewer and will never waver from my arguments and critiques.
An ambitious recording of Puccini’s Turandot with the complete, uncut, and original Franco Alfano ending that heralds a mainstream cast of today’s opera stars. Please enjoy my review and let me know your opinions.
Brilliant top notes and a bright future are what constitute Aigul Khismatullina’s journey in essaying the title role of Donizetti’s Lucia di Lammermoor. Please enjoy my review and let me know your opinions as well.
Happy First Advent, everybody. Antoni here with some ecstatic news. From two days ago until yesterday, my review of Mozart’s Die Zauberflöte at the Deutsche Oper Berlin starring Diana Schnürpel as the Queen of the Night grew in recognition on LinkedIn. Thanks to my review of her performance as the Queen of the Night, Ms. Schnürpel herself thanked me so graciously, and I was delighted and grateful to have heard from her. Moreover, people who have also been acquainted with Ms. Schnürpel’s work as a musician and a singer have also reacted positively to my review of her performance. All of what I assessed from Ms. Schnürpel’s Queen of the Night in my review was truthful with no pretense whatsoever. Therefore, the feedback I received from my assessment of Ms. Schnürpel’s vocal and theatrical performance as the Queen of the Night was laudable and encouraging. I am grateful that my work as an online reviewer has been acknowledged, as it compels me to continue to produce more content for my channel. Here is my review of Diana Schnürpel’s performance as the Queen of the Night if you want to watch and listen to it. Have a lovely First Advent, everybody.