A dapper stage presence, a richly marbled lower extension, and heaps of noble virility are what constitute Rodrigo Garull’s portrayal of Count Loris Ipanov. Please enjoy my review and let me know your opinions. https://youtu.be/yR1FOYJ1MjU
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Götz Friedrich’s legendary production of Mozart’s Le Nozze di Figaro at the Deutsche Oper Berlin hosts a veritable cavalcade of astoundingly brilliant shining stars. Please enjoy my review and let me know your opinions. https://youtu.be/pWt5P2FXcXU
Debonair nobility and gallant valiance were at Etienne Dupuis’ side in his portrayal of Simon Boccanegra. Please enjoy my review and let me know your opinions. https://youtu.be/yhLz5miYego
Let’s shine hundreds of spotlights on Michael Thalheimer’s production of Wagner’s Tristan und Isolde starring Clay Hilley and Elisabeth Teige. Please enjoy my review and let me know your opinions. https://youtu.be/nIRFCvufMxA
The holiday season is fast approaching. Nina Minasyan’s luscious creaminess and lovely elegance as Olympia, the mechanical Christmas doll, are wonderful gifts to give any opera fan. Please enjoy my review and share your thoughts. https://youtu.be/hNXGjxEc1uM
Start spreading the news, for Lydia Steier’s production of Offenbach’s Les Contes d’Hoffmann takes on a New York setting at the Staatsoper Unter den Linden. Please enjoy my review and let me know your opinions. https://youtu.be/6ALZERMmFag
Padraic Rowan has capitalized on his trademark virility, handsomeness, and masculine charm to make Papageno a thoroughly lovable birdcatcher. Special thanks to Jonas Wuermeling for the free ticket. Please enjoy my review and let me know your opinions. https://youtu.be/UzpaZixEv-w
A fun and engaging children’s opera about protecting the environment in English and German takes flight at Berlin’s ufaFabrik full of charm and sweetness. Please enjoy my review and let me know your opinions. https://youtu.be/okREA_NUW_c
From Elena Pankratova’s beginnings in the more Italianate repertoire to her current tenure in the Wagnerian repertoire, she continues rising as the wrathfully vengeful princess Elektra. Please enjoy my review and let me know your opinions.
Intimately romantic twists and turns and various operatic references pepper Tobias Kratzer’s production of Richard Strauss’s Intermezzo with fascinating character dynamics. Please enjoy my review and let me know your opinions.