The slice-of-life character constellations remain strong with Tobias Kratzer’s production of Strauss’s Die Frau ohne Schatten, despite being void of its legendary fairy-tale roots. Please enjoy my review and let me know your opinions.
Nina Solodovnikova
After several years of being the flighty Musetta, Elena Tsallagova steps into Mimì’s gracefully humble yet tragically ill-fated shoes, supported by a pristinely consummate Bel Canto technique. Please enjoy my review and let me know your opinions.
Chance-Jonas O’Toole’s youthfully sweet charm and Nina Solodovnikova’s elegantly stately gorgeousness blend in rapturous harmony in their Advent concert. Please enjoy my review and let me know your opinions.
Ascending the upper echelons of baritones from Leonard Warren to Sherrill Milnes is Thomas Lehman conquering the ambitious yet ruthlessly bloodthirsty Macbeth the Thane of Cawdor. Please enjoy my review and let me know your opinions.
Verdi’s Macbeth at the Deutsche Oper Berlin has struck again. This time, it is with a new modern production by Marie-Ève Signeyrole. Please enjoy my review and let me know your opinions.
Youthful dignity, cultivated technique, and elegant nobility are the hallmarks that have made Kangyoon Shine Lee radiate like the stars in the Milky Way as Prince Tamino. Please enjoy my review and let me know your opinions.
This was a grand night for Verismo and post-Verismo Italian art songs courtesy of three sterling singers, a fine pianist, and a charming poet. Please enjoy my review and let me know your opinions.
Nina Solodovnikova, a consistently rising lyric coloratura soprano, shines and makes a strong impression as the beautiful and fair Princess Pamina. Please enjoy my review and let me know your opinions.