Eve-Maud Hubeaux tackled the elegantly voluptuous yet emotionally temperamental Amneris from Verdi’s Aida at the Staatsoper Unter den Linden. Please enjoy my review and let me know your opinions as well.
Nicola Luisotti
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Teresa Romano came to the rescue in a role she has sung for many years, from her initial tenure as a spinto/dramatic soprano to her current engagements as a mezzo-soprano. Please enjoy my review and let me know your opinions as well.
Clémentine Margaine, with her increasing forays into the dramatic mezzo-soprano repertoire, rises up to the challenge to tackle one of Verdi’s most iconic mezzo-soprano princesses. Enjoy my review and let me know your opinions as well.
Dramatic coloratura soprano Marina Rebeka tackles her role debut head-on as Aida, accompanied by a cavalcade of fellow star singers, in Calixto Bieito’s garish and messy production. Please enjoy my review and let me know your opinions as well.
Let’s get this double bill Verismo opera review marathon on the row. First, let us see how this gorgeous dramatic mezzo will rise up to the challenge to take on the tragic, anguished young will-to-be mother, Santuzza, backed up by a great cavalcade of singing superstars. Enjoy the review and let me know your opinions as well. Roberto Alagna and George Gagnidze strike again and this time they are joined by a young lyric soprano, Danielle Pastin, who sang the role of Nedda, after taking over an indisposed Aleksandra Kurzak. Enjoy the review and let me know your opinions as well.