Metropolitan Opera House

Diana Damrau, Matthew Polenzani, Mariusz Kwiecien and Nicolas Testè! With a scintillating cast of singers like this, this was a very worthwhile evening. Enjoy the review and let me know your opinions as well. P.S. I thought Patricia Racette was a decent host as she had enough charisma and charm to liven things up. Also, I do apologize for some of the background noise in this review as my flatmate had guests even though he was aware I was making this Vlog style review. Plus, this was made two years ago. So, I hope you enjoy this video.

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Three extraordinary ladies rose up to the challenge in New York’s Metropolitan Opera House. One was an American dramatic soprano who has been acclaimed for singing this punishing yet exciting tragic heroine of Elektra. The other was a gorgeous young South African spinto soprano who has made her role debut as the timid yet formidable sister, Chrysothemis. The third was an acclaimed German dramatic mezzo-soprano known for the versatility of her repertoire who has made her Metropolitan Opera House debut as the guilt- and angst-ridden anti-heroine, Queen Klytämnestra. How did these formidable singing actresses fare? Find out in this review!

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My time here in Oslo has come to an end and what better way for my trip to go out with a bang than with this charming production of Donizetti’s L’Elisir d’Amore live from the Met headed by Maestro Domingo Hindoyan and starring Pretty Yende and Matthew Polenzani as the iconic lovers, Adina and Nemorino. This also marks the successful debut of one baryton noble, Monsieur Davide Luciano as Belcore. Enjoy the review and let me know your opinions as well.

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What happens when you combine a strapping Korean spinto tenor, a versatile and mighty American dramatic coloratura soprano with a spinto edge, a mighty and virile American dramatic baritone, a gorgeous and sinuous Georgian dramatic mezzo-soprano, and a voluminous Slovakian dramatic bass? Find out in this review and let me know your opinions as well.

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Violetta Valery searched for true love and self-sacrifice. Lucia Ashton and Juliette wanted to be together with her one true loves, Edgardo Ravenswood and Roméo. Antonia yearned to sing on the world’s greatest stages. Mimí lived a life of purity among the Bohemians. Marguerite had her sexual awakening through Faust, who in turn was influenced by Mephistopheles the Devil. Out of all these romantic ladies, Thais, who lived in a lap of luxury amongst the nobles, was in search of spirituality, purity, and deep love. Enjoy the review and let me know your opinions as well.

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Cavalleria Rusticana and Pagliacci: Double Bill Verismo Review

Let’s get this double bill Verismo opera review marathon on the row. First, let us see how this gorgeous dramatic mezzo will rise up to the challenge to take on the tragic, anguished young will-to-be mother, Santuzza, backed up by a great cavalcade of singing superstars. Enjoy the review and let me know your opinions as well. Roberto Alagna and George Gagnidze strike again and this time they are joined by a young lyric soprano, Danielle Pastin, who sang the role of Nedda, after taking over an indisposed Aleksandra Kurzak. Enjoy the review and let me know your opinions as well.

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Now, meine sehr verehrten Damen und Herren, to further celebrate the arrival of 2018, we have a very famous operetta starring two exciting couples played by Madame Susan Graham as Hanna Glawari, Herr Paul Groves as Danilo, Mademoiselle Andriana Chuchman as Valencienne, and Herr Taylor Stayton as Camille. Enjoy the review and let me know your opinions as well.

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