Gilda Fiume, a dramatic coloratura soprano with a vastly versatile repertoire that includes comedic and dramatic roles, embodies one of her most renowned signature roles, Lucia Ashton. Please enjoy my review and let me know your opinions.
Lucia di Lammermoor
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A constantly soaring lyric coloratura soprano continues to spread her wings in one of her signature roles. Assisting her are a cavalcade of equally formidable singers. Please enjoy my review and let me know your opinions.
Brilliant top notes and a bright future are what constitute Aigul Khismatullina’s journey in essaying the title role of Donizetti’s Lucia di Lammermoor. Please enjoy my review and let me know your opinions as well.
One of the finest recordings of Lucia di Lammermoor that certainly made history!
Diana Damrau and Pavol Breslik lead this stunning cast of Lucia di Lammermoor with finesse and awesomeness! Enjoy the review and let me know your opinions as well.
Lord Arturo Bucklaw from Donizetti’s Lucia di Lammermoor. His role in this opera may be thankless, especially for a lyric tenor, but his little solo during Lucia’s wedding is absolutely fun to do. Perhaps, it would have been more fun with the chorus. Enjoy listening to my rendition of Arturo’s little number as much as I enjoyed singing it.
Two Hispanic operatic aces of the twenty-first century, one who is a young lyric coloratura soprano from Madrid, Spain and is on the cusp of international acclaim and the other who is a light lyric tenor from Hermosillo, Mexico and has been a well-established Bel Canto star for decades, tackle the iconic Scottish star-crossed lovers.
A charming young lyric coloratura soprano rises to the challenge to bring one of the most famous Donizetti Bel Canto heroines of all time to the stage of the Deutsche Oper Berlin. Enjoy the review and let me know your opinions as well.
What happens when you combine a Russian dramatic coloratura soprano known to the world for her sizable instrument which she produces with abandon, a Polish full lyric tenor whose gallant presence has made him internationally famous, a virile American dramatic baritone oozing with testosterone, a Romanian basso cantante who is on the cusp of international fame, and three fine American opera stars consisting of two lyric tenors and a lyric mezzo-soprano? Find out in this review and let me know your opinions as well.
Jessica Pratt brings one of her greatest calling card roles to Paris’s Théâtre des Champs Élysées, where she is joined by one legendary conductor, one super dashing and charming lyric tenor, one dramatic baritone oozing with testosterone, one basso cantante/profondo known for his richly textured voice, one young light lyric tenor on the verge of international fame, another lyric tenor with an amazingly youthful voice, and a lovely young lyric mezzo. Enjoy the review and let me know your opinions as well. I know I already mentioned this in the video review, but I just want to reiterate, as this serves as a sort of “petition”. To all opera houses, concert halls, and music studious, please, I am begging you, give coloratura sopranos like Jessica Pratt the opportunity to sing this opera in its original key. This happens once in a blue moon and for many an opera fan, listener, and expert this will be something worth remembering.