Aida Pascu, a young and rising full lyric soprano, tackles the role of the iconically romantic seamstress Mimì with gorgeous elegance and great growth potential. Please enjoy my review and let me know your opinions.
Kyle Miller
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Youthful dignity, cultivated technique, and elegant nobility are the hallmarks that have made Kangyoon Shine Lee radiate like the stars in the Milky Way as Prince Tamino. Please enjoy my review and let me know your opinions.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
How did Gabriela Scherer tackle the title role of Strauss’s Arabella, as she ended up singing the subsequent performances after the premiere? Find out in my review and please let me know your opinions as well.
A bizarrely confusing Regietheater production of Strauss’s Arabella made its premiere at the Deutsche Oper Berlin three days ago with a cast of both veterans and fresh-faced singers. Enjoy my review and please let me know your opinions as well.