With a flexible lyric soprano voice competent in tackling coloratura soprano roles and possessing a tone smooth as silk and chiffon, Martina Russomanno embodies the vivacious proprietress Madama Cortese. Please enjoy my review and let me know your opinions.
Hye-Young Moon
Youthful dignity, cultivated technique, and elegant nobility are the hallmarks that have made Kangyoon Shine Lee radiate like the stars in the Milky Way as Prince Tamino. Please enjoy my review and let me know your opinions.
A Liederabend consisting of works by Franz Schubert and Louis Spohr was in full swing when three valiantly fine singers summoned their musical prowess to tackle their Lieder with open arms. Please enjoy my review and let me know your opinions as well.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
A charming young light lyric soprano, who is also capable of doing coloratura soprano roles, made her mark tonight as the pristinely tender Princess Pamina. Please enjoy my review and let me know your opinions as well.
Graduating from the flirtatiously flitting Fiakermilli to the imperious Queen of the Night was Hye-Young Moon, a young lyric coloratura soprano who embraced the challenge of tackling this demanding yet iconic Mozart villainess. Enjoy my review and let me know your opinions as well.
How did Gabriela Scherer tackle the title role of Strauss’s Arabella, as she ended up singing the subsequent performances after the premiere? Find out in my review and please let me know your opinions as well.
A bizarrely confusing Regietheater production of Strauss’s Arabella made its premiere at the Deutsche Oper Berlin three days ago with a cast of both veterans and fresh-faced singers. Enjoy my review and please let me know your opinions as well.