Overlooking my conflicting sentiments about Rolando Villazón’s overall vocal form as Idomeneo, his unique brand of charisma remains interesting. Please enjoy my review and let me know your opinions.
Hanna Elisabeth Müller
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Mademoiselle Hanna-Elisabeth Müller heralds her return to the Met as one of her signature roles, Pamina, in an abridged English-language version of Mozart’s last opera intended for families and audiences of all ages. Enjoy the review and let me know your opinions as well.
A charming, young singer makes her Met debut surrounded by veterans in Beethoven’s only opera. How will it go?