Eve-Maud Hubeaux tackled the elegantly voluptuous yet emotionally temperamental Amneris from Verdi’s Aida at the Staatsoper Unter den Linden. Please enjoy my review and let me know your opinions as well.
Erwin Schrott
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Teresa Romano came to the rescue in a role she has sung for many years, from her initial tenure as a spinto/dramatic soprano to her current engagements as a mezzo-soprano. Please enjoy my review and let me know your opinions as well.
Clémentine Margaine, with her increasing forays into the dramatic mezzo-soprano repertoire, rises up to the challenge to tackle one of Verdi’s most iconic mezzo-soprano princesses. Enjoy my review and let me know your opinions as well.
Freddie de Tommaso, a rock-steady young tenor with so much to give to the opera world, tackles the role of the impassioned painter Mario Cavaradossi. Enjoy my review and let me know your opinions as well.
Tall, charismatic, and handsome in stage presence but decent at best in voice, how does Erwin Schrott fare in an iconic Puccini villain role that he has been singing for many years? Please find out in my review and let me know your opinions as well.
Kasper Holten’s hypnotic production comes to life at the Royal Opera House backed up by a veteran of portraying the legendary licentious gentleman and a bass who has made his role debut as his manservant. Enjoy my review and let me know your opinions as well.
This has been in the making for weeks after I caught the live stream of the Bayerische Staatsoper’s production of Les Vepres Siciliennes. The question remains. How well does the star-studded cast consisting of the young American spinto soprano Rachel Willis-Sorenson, the Italian lirico-spinto Leonardo Caimi, the Romanian dramatic baritone George Petean, and the Uruguayan bass-baritone Erwin Schrott? Find out in this review, enjoy, and have a blessed Easter week.
What better way to wrap up my amazing time here in Pesaro than with this exquisite piece of sacred music. Enjoy the review and let me know your opinions as well.