Rainelle Krause, a lyric coloratura soprano renowned for her fearlessness as an aerial acrobat, heralds the stage as one of her calling-card roles, The Queen of the Night, alongside the astounding light lyric soprano Victoria Randem as Pamina and the sweet soprano light lyric coloratura Regina Koncz as Papagena. Enjoy my review and let me know your opinions as well.
Die Zauberflöte
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Graduating from the pert, perky Papagena to the poignant, pure Pamina was the one and only Alma Sadé. Enjoy my review and let me know your opinions as well.
It’s The Magic Flute complete with marionettes, flying around the stage, and loads of color. Enjoy my review and let me know your opinions as well.
This recorded version of Mozart’s Zauberflöte is one of Anna-Kristiina Kaappola’s final performances and hurrahs as one of her all-time signature roles, the fiery, fierce, awesome, and grand Queen of the Night, before transitioning to the more lyrical repertoire. Enjoy the review and let me know your opinions as well.
The festive season continues and this time we are traveling back to the 1920’s with a surreal, vivid, magnificent, and amusing production of Mozart’s final opera The Magic Flute, which is, in turn, a grand homage to silent films, way before the talkies came to fruition. Enjoy the review and let me know your opinions as well.
Julie Taymor’s aesthetically vivid production comes to life and one lovely lyric soprano in the form of Miss Golda Schultz rises up to the challenge to take on Pamina at the Met joined by a cavalcade of musical titans. Enjoy the review and let me know your opinions as well.
My first opera night at the Semperoper Dresden had a kick start with Achim Freyer’s weird, wacky, yet colorful production of Mozart’s final opera, Die Zauberflöte or The Magic Flute for English-speakers. Enjoy the review and let me know your opinions as well.