Natalya Romaniw, a lyric soprano possessing a diverse repertoire, tackles the fiery Italian diva Floria Tosca joined by lyric tenor Jonathan Tetelman as the impassioned painter Mario Cavaradossi and baritone Roman Burdenko as the viciously licentious Baron Vitellio Scarpia. Enjoy my review, and let me know your thoughts as well.
Deutsche Oper Berlin
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Jorge Puerta, a fine full lyric tenor boasting a huge and diverse repertoire, makes his mark as the impassioned Genoese gentleman Gabriele Adorno. Enjoy my review and let me know your opinions as well.
Tackling the role of the villainous Plebian partisan, Paolo Albiani, is Joel Allison, a baritone with a promising future ahead of him. Enjoy my review, despite it being a week late, and let me know your opinions as well.
Verdi’s opera about political intrigue and familial drama has been updated from 14th-century Genoa to 21st-century Genoa in this new Simon Boccanegra production at the Deutsche Oper Berlin. Enjoy my review.
A light lyric soprano with heaps of potential to shine and on the cusp of an exciting career tackles Violetta Valery, one of Verdi’s most iconic tragic heroines. Enjoy my review.
With a promising cast and a strong crew, let’s see how everything comes together in Graham Vick’s vision of Tristan und Isolde! Enjoy the review and let me know your opinions as well.
This was a production of a Wagner opera I have been wanting to talk about for the longest time. Furthermore, this review is also dedicated to all of the awesome moms out there, including my own. Enjoy the review and let me know your opinions as well.
Irene Roberts and Heidi Stober make magic as our two lovable and adorable little rascals, Hänsel and Gretel! Enjoy the review and let me know your opinions as well.
When it comes to Tchaikovsky’s Sleeping Beauty in its grandeur, you gotta look no further than this. Enjoy the review and let me know your opinions as well.
This review was brought to you by the masterful orchestra playing of the Deutsche Oper Berlin, Maestro Donald Runnicles’ excellent job as the conductor, Michaela Kaune’s moving rendition of Madeleine’s final monologue from Richard Strauss’s Capriccio and all of the scintillating symphonies of Haydn and Mozart! Enjoy the review and let me know your opinions as well.