The slice-of-life character constellations remain strong with Tobias Kratzer’s production of Strauss’s Die Frau ohne Schatten, despite being void of its legendary fairy-tale roots. Please enjoy my review and let me know your opinions.
David Butt Philip
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Oscar Wilde’s short story turned opera by Alexander von Zemlinsky transports the tale of a haplessly enamored dwarf and an impetuously spoiled princess to the late 2010s, as highlighted by Tobias Kratzer’s production. Please enjoy my review and let me know your opinions.
A rising full lyric soprano tackles one of Wagner’s virginally innocent heroines. Please enjoy my review and let me know your opinions as well.
He built himself up from his lyrical beginnings and is now treading toward the steelier spinto/dramatic tenor repertory evidenced by one of his tenures as Don José. This review is also dedicated to my mother who was celebrating her birthday. Enjoy my review and let me know your opinions as well.