Soaring to the role of the innocent yet ill-fated Liú is Nina Solodovnikova, a full lyric coloratura soprano with abundant potential for growth. Please enjoy my review and let me know your opinions.
Catherine Foster
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SeokJong Baek’s ever-augmenting strengths as a riveting spinto tenor with a dramatic edge are in full effect as Calaf, the Unknown but Determined Prince of Tartar. Please enjoy my review and let me know your opinions. Tune in today at 9 AM Berlin time.
The slice-of-life character constellations remain strong with Tobias Kratzer’s production of Strauss’s Die Frau ohne Schatten, despite being void of its legendary fairy-tale roots. Please enjoy my review and let me know your opinions.
With an ever-strengthening vocal presence, heaps of discipline, and a phenomenal technique by his side, how did Alfred Kim fare as Calaf, a role he has been specializing for many years? Find out in my review.
It was an invigorating evening encountering two British Grand Dames of the opera stage, namely Madame Catherine Foster and Madame Allison Oakes, perform the hysterical and neurotic sister act of Elektra and Chrysothemis. Enjoy the review and let me know your opinions as well.