A shocking tale of witchcraft, superstition, religious fanaticism, and illicit intimate affairs comes to life at the Deutsche Oper Berlin but with a minimalistic twist courtesy of Christof Loy. Please enjoy my review and let me know your opinions.
Caren van Oijen
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I have seen Vera-Lotte Böcker as the lavish Eudoxie and the sweetly poignant Pamina. How did she fare as Verdi’s most iconic operatic courtesan? Find out in my review, enjoy, and let me your opinions as well.
Natalya Pavlova rose to the challenge of taking on one of her signature roles at the Komische Oper Berlin. Enjoy the review and let me know your opinions as well.
Graduating from the pert, perky Papagena to the poignant, pure Pamina was the one and only Alma Sadé. Enjoy my review and let me know your opinions as well.
The festive season continues and this time we are traveling back to the 1920’s with a surreal, vivid, magnificent, and amusing production of Mozart’s final opera The Magic Flute, which is, in turn, a grand homage to silent films, way before the talkies came to fruition. Enjoy the review and let me know your opinions as well.