The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
Byung Gil Kim
It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.
He built himself up from his lyrical beginnings and is now treading toward the steelier spinto/dramatic tenor repertory evidenced by one of his tenures as Don José. This review is also dedicated to my mother who was celebrating her birthday. Enjoy my review and let me know your opinions as well.
Aigul Akhmetshina, a promising young mezzo-soprano with an exciting future ahead of her, tackles one of her signature roles at the Deutsche Oper Berlin. Please enjoy my review and let me know your opinions as well.
Tall, charismatic, and handsome in stage presence but decent at best in voice, how does Erwin Schrott fare in an iconic Puccini villain role that he has been singing for many years? Please find out in my review and let me know your opinions as well.
Going from strength to strength in his ever-flourishing career and possessing a brilliant future in more leading man roles is Byung Gil Kim who tackled the role of the imperious high priest Ramfis. Please enjoy my review and let me know your opinions as well.
To say that this production of Verdi’s La Forza del Destino at the Deutsche Oper Berlin left so much to be desired is a mere understatement, but how did all the singers persevere in this extremely messy production? Please find out in my review and let me know your opinions as well.
Four of Deutsche Oper Berlin’s finest mainstay singers. One pianist who exuded elegance and charm. One reader who exuded unique lovability. Two of the greatest classical composers. One fine evening of song. Enjoy my review and let me know your opinions as well.
Conquering the stage and the screen for many years as an actress and stage director , let us see how Katharina Thalbach fared as an opera director with this particular production of Barber of Seville. Enjoy my review and let me know your opinions as well.
Boasting a versatile repertoire ranging from the comical roles of Papageno and Guglielmo to the more dramatic roles of Telramund and Beckmesser, let us now venture to see how Martin Gantner fared as Kurwenal. Enjoy my review and let me know your opinions as well.