Saioa Hernández is a reigning opera diva I have been yearning to witness live on stage. Her excellent technical prowess and flair for drama have made her own Turandot the ice princess of China. Please enjoy my review and let me know your opinions.
Byung Gil Kim
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Striking again with leonine vengeance as the bile-spewing, dejected, acrimonious nobleman Count Monterone is Byung Gil Kim, who continues to demonstrate unstoppable indomitability as a singing actor. Please enjoy my review and let me know your opinions.
Byung Gil Kim’s continuous enhancement of his repertoire, rugged resonance, and his Hollywood-movie-star handsomeness have made him conquer Banco’s noble warrior virility. Please enjoy my review and let me know your opinions.
After several years of being the flighty Musetta, Elena Tsallagova steps into Mimì’s gracefully humble yet tragically ill-fated shoes, supported by a pristinely consummate Bel Canto technique. Please enjoy my review and let me know your opinions.
Gallantry, exuberance, vigor, virility, aplomb, nobility, and regality are the attributes in Andrei Danilov’s dashing portrayal of Prince Tamino, a role he has been singing for over a decade. Please enjoy my review and let me know your opinions.
Youthful dignity, cultivated technique, and elegant nobility are the hallmarks that have made Kangyoon Shine Lee radiate like the stars in the Milky Way as Prince Tamino. Please enjoy my review and let me know your opinions.
Gilda Fiume, a dramatic coloratura soprano with a vastly versatile repertoire that includes comedic and dramatic roles, embodies one of her most renowned signature roles, Lucia Ashton. Please enjoy my review and let me know your opinions.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.
He built himself up from his lyrical beginnings and is now treading toward the steelier spinto/dramatic tenor repertory evidenced by one of his tenures as Don José. This review is also dedicated to my mother who was celebrating her birthday. Enjoy my review and let me know your opinions as well.