Artur Garbas’s vocal performance prowess continues to shine and shimmer as the iconic bird catcher Papageno. Please enjoy my review and let me know your opinions.
Artur Garbas
With a flexible lyric soprano voice competent in tackling coloratura soprano roles and possessing a tone smooth as silk and chiffon, Martina Russomanno embodies the vivacious proprietress Madama Cortese. Please enjoy my review and let me know your opinions.
Taking center stage as the lovable brother-and-sister duo Hänsel and Gretel are the creamily velvety-toned Karis Tucker and the charismatically silvery Meechot Marrero. Please enjoy my review and let me know your opinions.
There is no better opera to honor my mother’s birthday than Beethoven’s only opera about a woman rescuing her husband from being a political prisoner, with a production that transports the action to modern times. Please enjoy my review and let me know your opinions.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
A rising full lyric soprano tackles one of Wagner’s virginally innocent heroines. Please enjoy my review and let me know your opinions as well.
He built himself up from his lyrical beginnings and is now treading toward the steelier spinto/dramatic tenor repertory evidenced by one of his tenures as Don José. This review is also dedicated to my mother who was celebrating her birthday. Enjoy my review and let me know your opinions as well.
Aigul Akhmetshina, a promising young mezzo-soprano with an exciting future ahead of her, tackles one of her signature roles at the Deutsche Oper Berlin. Please enjoy my review and let me know your opinions as well.
Freddie de Tommaso, a rock-steady young tenor with so much to give to the opera world, tackles the role of the impassioned painter Mario Cavaradossi. Enjoy my review and let me know your opinions as well.
Tall, charismatic, and handsome in stage presence but decent at best in voice, how does Erwin Schrott fare in an iconic Puccini villain role that he has been singing for many years? Please find out in my review and let me know your opinions as well.