Opera Review

Ah, the unsurpassable Franco Zeffirelli Turandot production, starring Nina Stemme, Marco Berti, Anita Hartig and Alexander Tsymbalyuk with Maestro Paolo Carignani on the helm. Let’s see how well this fares. Enjoy the review and let me know your opinions as well. Some of my opinions especially regarding Marco Berti’s vocal performance have not held up, but in spite of it all, I still enjoyed making this video. Moreover, this is actually my most viewed opera review video I have made.

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Diana Damrau, Matthew Polenzani, Mariusz Kwiecien and Nicolas Testè! With a scintillating cast of singers like this, this was a very worthwhile evening. Enjoy the review and let me know your opinions as well. P.S. I thought Patricia Racette was a decent host as she had enough charisma and charm to liven things up. Also, I do apologize for some of the background noise in this review as my flatmate had guests even though he was aware I was making this Vlog style review. Plus, this was made two years ago. So, I hope you enjoy this video.

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My Thoughts on Verdi’s Aida Live from the Kungliga Operan

It is a royal throwdown between the young spinto soprano Miss Christina Nilsson as the captured Ethiopian princess Aida and the veteran Wagnerian soprano who has nowadays turned her attention to dramatic mezzo roles Madame Katarina Dalayman as the proud Egyptian princess Amneris. Which of these two phenomenal ladies of the stage will come out on top? Sit back, relax, enjoy, and find out in this review.

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This has been in the making for weeks after I caught the live stream of the Bayerische Staatsoper’s production of Les Vepres Siciliennes. The question remains. How well does the star-studded cast consisting of the young American spinto soprano Rachel Willis-Sorenson, the Italian lirico-spinto Leonardo Caimi, the Romanian dramatic baritone George Petean, and the Uruguayan bass-baritone Erwin Schrott? Find out in this review, enjoy, and have a blessed Easter week.

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Three extraordinary ladies rose up to the challenge in New York’s Metropolitan Opera House. One was an American dramatic soprano who has been acclaimed for singing this punishing yet exciting tragic heroine of Elektra. The other was a gorgeous young South African spinto soprano who has made her role debut as the timid yet formidable sister, Chrysothemis. The third was an acclaimed German dramatic mezzo-soprano known for the versatility of her repertoire who has made her Metropolitan Opera House debut as the guilt- and angst-ridden anti-heroine, Queen Klytämnestra. How did these formidable singing actresses fare? Find out in this review!

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