This was an evening of fabulous singing accomplished by a gorgeous lyric soprano, a fine young lyric tenor with a bright future ahead of him, and a veteran lyric-dramatic baritone whose tall and exciting presence left me with chills down my spine in the most positive way ever. Enjoy the review and let me know your opinions as well.
Opera Review
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Last night’s performance of Die Zauberflöte, or in Finnish Taikahuilu, was greeted by a veritable constellation of the finest singing actors the Finnish National Opera had to offer. Enjoy the review and let me know your opinions as well.
It is the night before I leave for Helsinki for my Christmas and New Year’s break. So, what better way to greet my holiday than with a soprano I read a lot about online, yet have not seen nor heard her live, the fine, young lirico-spinto soprano, Signorina Elena Guseva. Enjoy the review and let me know your opinions as well.
This holiday season let Tara Erraught’s rambunctiously lovable Hansel and Lisette Oropesa’s daintily sparky Gretel take you on a journey from their cottage all the way to the woods and then to the iconic Gingerbread House. Enjoy the review and let me know your opinions as well.
The festive season continues and this time we are traveling back to the 1920’s with a surreal, vivid, magnificent, and amusing production of Mozart’s final opera The Magic Flute, which is, in turn, a grand homage to silent films, way before the talkies came to fruition. Enjoy the review and let me know your opinions as well.
‘Twas the season for the magnificent Frau Petra Lang to sing up a blizzard as the fiercely independent yet sorely misguided antiheroine, Ortrud. Enjoy the review and let me know your opinions as well.
Let us all celebrate an extraordinary Winter Solstice with two grand divas who portray two iconic priestesses, one whose voice soars like an eagle in the form of Angela Meade’s Norma and the other whose voice has the steely plushness and fiery blaze of a meteor in the form of Jamie Barton’s Adalgisa. Enjoy the review and let me know your opinions as well.
Mademoiselle Hanna-Elisabeth Müller heralds her return to the Met as one of her signature roles, Pamina, in an abridged English-language version of Mozart’s last opera intended for families and audiences of all ages. Enjoy the review and let me know your opinions as well.
Thomas Adés’s The Exterminating Angel, which was based on Luis Buñuel’s surrealist film of the same name, takes on the United States of America through New York’s Metropolitan Opera House, after its debut performances in Salzburg and London, headed by a cavalcade of veritable vocal superstars! Enjoy the review and let me know your opinions as well.
Christof Loy’s bleak, icy, and minimalistic production is headed by a cast of versatile and charismatic singing actors from different generations. Enjoy the review and let me know your opinions as well.