Two years ago I caught an underrated Richard Strauss that deserved a good look. Enjoy the review and let me know your opinions as well.
Deutsche Oper Berlin
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Claus Guth. Whether you like him or hate him, you can’t deny that this Salome production did have some moments of brilliance. Enjoy the review and let me know your opinions as well.
Two years ago in January, I caught the premiere of Leos Janacek’s Vec Makropulos, known in English as The Makropulos Case, at the Deutsche Oper Berlin starring the indescribable, invigorating, and exhilarating Wagnerian soprano, Madame Evelyn Herlitzius, as the tragically eternal anti-heroine, Emilia Marty. Enjoy the review and let me know your opinions as well.
Four years ago, I caught the premiere of this particular production of Hector Berlioz’s La Damnation de Faust headlined by an illustrious cast consisting of Samuel Youn, Klaus Florian Vogt, Clementine Margaine, and Tobias Kehrer. Enjoy the review and let me know your opinions as well.
I take myself back two years ago where I caught the concert version of Vincenzo Bellini’s I Capuleti e I Montecchi, known in English as The Capulets and The Montagues, at the Deutsche Oper Berlin starring Joyce DiDonato, Venera Gimadieva, and Celso Albelo. Enjoy the review and let me know your opinions as well.
A Rienzi production which makes you feel like you’re watching a film from the olden days. Enjoy the review and let me know your opinions as well. This review may have been released two years ago, but I still feel happy that I was able to talk about this Wagner rarity.
This was yet another historical piece of work from Meyerbeer to add to my accomplishments of operas I have been longing to review for the longest time. The question remains, how well does this illustrious cast headed by Gregory Kunde, Clementine Margaine, Elena Tsallagova, Derek Welton, Noel Bouley, Andrew Dickinson, and Seth Carico stack up? Enjoy the review and let me know your opinions as well.
It is the night before I leave for Helsinki for my Christmas and New Year’s break. So, what better way to greet my holiday than with a soprano I read a lot about online, yet have not seen nor heard her live, the fine, young lirico-spinto soprano, Signorina Elena Guseva. Enjoy the review and let me know your opinions as well.
‘Twas the season for the magnificent Frau Petra Lang to sing up a blizzard as the fiercely independent yet sorely misguided antiheroine, Ortrud. Enjoy the review and let me know your opinions as well.
Fifty years on stage is certainly a milestone for this lyric-dramatic coloratura soprano, who worked her way up all throughout the years. From starting out in some major roles at a young age to her sheer determination in her Vienna State Opera House years to her journeys with Mozart and later Bel Canto to also being claimed one of the Queens of Bel Canto. Enjoy the review and let me know your opinions as well.