A shocking tale of witchcraft, superstition, religious fanaticism, and illicit intimate affairs comes to life at the Deutsche Oper Berlin but with a minimalistic twist courtesy of Christof Loy. Please enjoy my review and let me know your opinions.
Deutsche Oper Berlin
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Magnificent musicianship, grandiose gallantry, and pristine peerlessness are the hallmarks that make Thomas Lehman flourish as a superb baritone embodying the earnestly noble Wolfram von Eschenbach. Please enjoy my review and let me know your opinions as well.
Adela Zaharia’s ever-flourishing technical beauty and grace were in full evidence as one of her signature roles Violetta Valery. Please enjoy my review and let me know your opinions.
A Liederabend consisting of works by Franz Schubert and Louis Spohr was in full swing when three valiantly fine singers summoned their musical prowess to tackle their Lieder with open arms. Please enjoy my review and let me know your opinions as well.
Christian Simmons integrates his gentlemanly charisma and musically versatile repertoire to make this Advent concert worth listening to. Please enjoy my review and let me know your opinions as well.
Brilliant top notes and a bright future are what constitute Aigul Khismatullina’s journey in essaying the title role of Donizetti’s Lucia di Lammermoor. Please enjoy my review and let me know your opinions as well.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
A rising full lyric soprano tackles one of Wagner’s virginally innocent heroines. Please enjoy my review and let me know your opinions as well.
It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.