The Metropolitan Opera House embarks listeners on an epic fairy-tale opera thrill ride about fertility and conjugal love with Die Frau Ohne Schatten. Please enjoy my review and let me know your opinions.
Yannick Nezet-Seguin
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From her beginnings in the full lyric and spinto soprano repertoires to nowadays coming into her own in the dramatic repertoire, how well did Christine Goerke stack up to one of her signature roles, especially joined by a cast that looks good on paper? Enjoy and find out in my review.
Three extraordinary ladies rose up to the challenge in New York’s Metropolitan Opera House. One was an American dramatic soprano who has been acclaimed for singing this punishing yet exciting tragic heroine of Elektra. The other was a gorgeous young South African spinto soprano who has made her role debut as the timid yet formidable sister, Chrysothemis. The third was an acclaimed German dramatic mezzo-soprano known for the versatility of her repertoire who has made her Metropolitan Opera House debut as the guilt- and angst-ridden anti-heroine, Queen Klytämnestra. How did these formidable singing actresses fare? Find out in this review!
La Grande Madame Evelyn Herlitzius brings one of her signature roles, Kundry, to New York’s iconic Metropolitan Opera House. Joining her was not only a veritable troupe of Wagnerian specialists but also some equally fabulous superstars both veteran and newbies. Enjoy the review and let me know your opinions as well.