Ah, Belmonte from Mozart’s Die Entführung aus dem Serail or The Abduction of the Seraglio. As a lyric tenor, I can decree that he is one of my most favorite Mozart characters for the tenor voice, and here I am singing his entrance aria. It was also a really challenging aria to get through, but I definitely enjoyed the ride. So, I hope you all enjoy my rendition.
Wolfgang Amadeus Mozart
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Graduating from the pert, perky Papagena to the poignant, pure Pamina was the one and only Alma Sadé. Enjoy my review and let me know your opinions as well.
It’s The Magic Flute complete with marionettes, flying around the stage, and loads of color. Enjoy my review and let me know your opinions as well.
An Italian conductor who has made his mark all throughout Europe and a French mezzo-soprano who has been specializing in youthful characters make their Metropolitan Opera House debuts. Enjoy my review and let me know your opinions as well.
Kasper Holten’s hypnotic production comes to life at the Royal Opera House backed up by a veteran of portraying the legendary licentious gentleman and a bass who has made his role debut as his manservant. Enjoy my review and let me know your opinions as well.
My Dresden opera journey goes out with a bang, at least for now, with the famous barber of Seville about to get married to his darling chambermaid bride-to-be in this anachronistically minimalistic production. Enjoy the review and let me know your opinions as well.
An international cavalcade of superstars have come together to star in this vivid and magnificently-detailed production of Mozart’s Die Entführung aus dem Serail. Enjoy my review and let me know your opinions as well.
In honor of Juan Diego Flórez’s birthday, which he celebrated yesterday, I present to you a review of his Mozart album. It is true he did record Marzio from Mozart’s early opera Mitridate, but how does someone as dashing, classy, stylish, and enticing like El Gran Señor Flórez hold up, especially with arias sung by Belmonte, Don Ottavio, Tamino, Ferrando, Idomeneo, and Tito? Enjoy this review and let me know your opinions as well.
Ah, La Grande Madame Anna-Kristiina Kaappola. Once upon a time, she was one of the most famous Queens of the Night not only throughout Europe but the world. Nowadays that she bade farewell to the coloratura soprano repertoire, the question remains, how well does she fare in the lyric soprano role of the First Lady to the Queen of the Night? Enjoy, find out in this review, and let me know your opinions as well.
This recorded version of Mozart’s Zauberflöte is one of Anna-Kristiina Kaappola’s final performances and hurrahs as one of her all-time signature roles, the fiery, fierce, awesome, and grand Queen of the Night, before transitioning to the more lyrical repertoire. Enjoy the review and let me know your opinions as well.