An Italian conductor who has made his mark all throughout Europe and a French mezzo-soprano who has been specializing in youthful characters make their Metropolitan Opera House debuts. Enjoy my review and let me know your opinions as well.
Three singers who have made the roles of Cio-Cio-San, Suzuki, and Sharpless their own and one tenor whose career has been centered around Bel Canto and florid singing who has made his role debut as Pinkerton. How did they fare? Find out in my review.
From her beginnings in the full lyric and spinto soprano repertoires to nowadays coming into her own in the dramatic repertoire, how well did Christine Goerke stack up to one of her signature roles, especially joined by a cast that looks good on paper? Enjoy and find out in my review.
What better way to send off the 2017-2018 Metropolitan Opera House season than with the radio broadcast of Gounod’s Roméo et Juliette starring the dashingly mellifluous Charles Castronovo and the gorgeously alluring Ailyn Pérez. Enjoy the review and let me know your opinions as well.