Through Leos Janacek’s mellifluous score and Katharina Thalbach’s vibrant production, The Cunning Little Vixen unfolds its timeless tale of nature and the circle of life at the Deutsche Oper Berlin. Please enjoy my review and let me know your opinions.
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Gallantry, exuberance, vigor, virility, aplomb, nobility, and regality are the attributes in Andrei Danilov’s dashing portrayal of Prince Tamino, a role he has been singing for over a decade. Please enjoy my review and let me know your opinions.
Adela Zaharia’s shimmeringly crystalline high notes waltz with Long Long’s handsomely dashing nobility as the tragically doomed star-crossed lovers hailing from Scotland’s Lammermuir Hills. Please enjoy my review and let me know your opinions.
Taking center stage as the lovable brother-and-sister duo Hänsel and Gretel are the creamily velvety-toned Karis Tucker and the charismatically silvery Meechot Marrero. Please enjoy my review and let me know your opinions.
Aida Pascu, a young and rising full lyric soprano, tackles the role of the iconically romantic seamstress Mimì with gorgeous elegance and great growth potential. Please enjoy my review and let me know your opinions.
Silvery silkiness, golden glory, fabulous femininity, and exquisite elegance are the unparalleled hallmarks solidifying Heidi Elisabeth Meier as Pamina. Please enjoy my review and let me know your opinions.
Outstanding excellence, pristine formidability, and vocally dynamic charisma thy name is Andrei Danilov. He has put his stamp on this role as one of today’s grandest exponents of true Bel Canto singing. Please enjoy my review and let me know your opinions.
The Metropolitan Opera House embarks listeners on an epic fairy-tale opera thrill ride about fertility and conjugal love with Die Frau Ohne Schatten. Please enjoy my review and let me know your opinions.
Kangyoon Shine Lee mounts his crown full of golden clarion tones, peerless musicianship, and noble Bel Canto singing as Malcolm’s supporting yet impactfully vital role. Please enjoy my review and let me know your opinions.
Oscar Wilde’s short story turned opera by Alexander von Zemlinsky transports the tale of a haplessly enamored dwarf and an impetuously spoiled princess to the late 2010s, as highlighted by Tobias Kratzer’s production. Please enjoy my review and let me know your opinions.