The slice-of-life character constellations remain strong with Tobias Kratzer’s production of Strauss’s Die Frau ohne Schatten, despite being void of its legendary fairy-tale roots. Please enjoy my review and let me know your opinions.
Marina Prudenskaya
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How did this versatile dramatic mezzo-soprano fare last night in terms of her song repertoire? Find out in this review and let me know your opinions as well.
A former Chrysothemis and a youthful lyric soprano rise to the challenge to perform this high-octane sister act.