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Lucia di Lammermoor

Lord Arturo Bucklaw from Donizetti’s Lucia di Lammermoor. His role in this opera may be thankless, especially for a lyric tenor, but his little solo during Lucia’s wedding is absolutely fun to do. Perhaps, it would have been more fun with the chorus. Enjoy listening to my rendition of Arturo’s little number as much as I enjoyed singing it.

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Two Hispanic operatic aces of the twenty-first century, one who is a young lyric coloratura soprano from Madrid, Spain and is on the cusp of international acclaim and the other who is a light lyric tenor from Hermosillo, Mexico and has been a well-established Bel Canto star for decades, tackle the iconic Scottish star-crossed lovers.

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What happens when you combine a Russian dramatic coloratura soprano known to the world for her sizable instrument which she produces with abandon, a Polish full lyric tenor whose gallant presence has made him internationally famous, a virile American dramatic baritone oozing with testosterone, a Romanian basso cantante who is on the cusp of international fame, and three fine American opera stars consisting of two lyric tenors and a lyric mezzo-soprano? Find out in this review and let me know your opinions as well.

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