Kangyoon Shine Lee mounts his crown full of golden clarion tones, peerless musicianship, and noble Bel Canto singing as Malcolm’s supporting yet impactfully vital role. Please enjoy my review and let me know your opinions.
Kangyoon Shine Lee
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Youthful dignity, cultivated technique, and elegant nobility are the hallmarks that have made Kangyoon Shine Lee radiate like the stars in the Milky Way as Prince Tamino. Please enjoy my review and let me know your opinions.
A constantly soaring lyric coloratura soprano continues to spread her wings in one of her signature roles. Assisting her are a cavalcade of equally formidable singers. Please enjoy my review and let me know your opinions.
Tareq Nazmi jettisons from his character bass beginnings and tackles more leading man basso cantante/basso profondo roles. King Marke is one of his most recent endeavors. Please enjoy my review and let me know your opinions.
This was a grand night for Verismo and post-Verismo Italian art songs courtesy of three sterling singers, a fine pianist, and a charming poet. Please enjoy my review and let me know your opinions.
Magnificent musicianship, grandiose gallantry, and pristine peerlessness are the hallmarks that make Thomas Lehman flourish as a superb baritone embodying the earnestly noble Wolfram von Eschenbach. Please enjoy my review and let me know your opinions as well.
Adela Zaharia’s ever-flourishing technical beauty and grace were in full evidence as one of her signature roles Violetta Valery. Please enjoy my review and let me know your opinions.
A host of young singers make their mark at the Hochschule für Musik Hanns Eisler Berlin in the third Mozart opera that had Lorenzo da Ponte collaborating as his librettist. Please enjoy my review and let me know your opinions as well.