Elegance, femininity, and gorgeousness combine with confidently lyrical vocals and involving theatrical acting to make Maria Agresta’s performance of Cio-Cio-San engaging. Please enjoy my review and let me know your opinions.
Giacomo Puccini
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Growing from strength to strength as a brilliant spinto soprano with an ever-growing repertoire full of leading lady roles is Maria Motolygina and her astoundingly incredible vocal prowess. Please enjoy my review and let me know your opinions.
Saioa Hernández is a reigning opera diva I have been yearning to witness live on stage. Her excellent technical prowess and flair for drama have made her own Turandot the ice princess of China. Please enjoy my review and let me know your opinions.
After several years of being the flighty Musetta, Elena Tsallagova steps into Mimì’s gracefully humble yet tragically ill-fated shoes, supported by a pristinely consummate Bel Canto technique. Please enjoy my review and let me know your opinions.
Aida Pascu, a young and rising full lyric soprano, tackles the role of the iconically romantic seamstress Mimì with gorgeous elegance and great growth potential. Please enjoy my review and let me know your opinions.
It is time for Maria Vasilevskaya to take center stage and reach grand heights as a consummately charismatic solo artist in her Advent concert. Please enjoy my review and let me know your opinions.
Passionately spirited virility and excellent technical prowess are the tremendous attributes that made Signore Martin Muehle shine like blazing comets, meteors, asteroids, and lasers as Mario Cavaradossi. Please enjoy my review and let me know your opinions.
An ambitious recording of Puccini’s Turandot with the complete, uncut, and original Franco Alfano ending that heralds a mainstream cast of today’s opera stars. Please enjoy my review and let me know your opinions.
Tackling some of opera’s renowned duets between a baritone and a tenor are Ludovic Tézier and Jonas Kaufmann under Antonio Pappano’s baton. Please enjoy my review and let me know your opinions.
Freddie de Tommaso, a rock-steady young tenor with so much to give to the opera world, tackles the role of the impassioned painter Mario Cavaradossi. Enjoy my review and let me know your opinions as well.