Ascending from her beginnings in more florid roles to tackling the steelier ones, Olesya Golovneva tackles the irresistible yet unhinged Princess Salome of Judea. Please enjoy my review and let me know your opinions.
Geon Kim
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The slice-of-life character constellations remain strong with Tobias Kratzer’s production of Strauss’s Die Frau ohne Schatten, despite being void of its legendary fairy-tale roots. Please enjoy my review and let me know your opinions.
Byung Gil Kim’s continuous enhancement of his repertoire, rugged resonance, and his Hollywood-movie-star handsomeness have made him conquer Banco’s noble warrior virility. Please enjoy my review and let me know your opinions.
From the first time I witnessed Brenda Rae as the witty Zerbinetta nearly a decade ago to now witnessing her as the innocent Gilda, I assess how she tackles one of her signature roles from the Italian repertoire. Please enjoy my review and let me know your opinions.
After several years of being the flighty Musetta, Elena Tsallagova steps into Mimì’s gracefully humble yet tragically ill-fated shoes, supported by a pristinely consummate Bel Canto technique. Please enjoy my review and let me know your opinions.
Adela Zaharia’s ever-flourishing technical beauty and grace were in full evidence as one of her signature roles Violetta Valery. Please enjoy my review and let me know your opinions.